Nigeria’s 2 World Heritage Sites
Nigeria, the giant of Africa and most popular black nation in Africa, a country with massive endowment in culture and heritage, rest within its ethnic group in diversity. Nigeria Culture and heritage is a basic drive that has attract tourist all over the world. Is of no doubt that when you visit Nigeria, you will be driven with a unique experience in your adventures, which you never had before. Visiting Nigeria, you will experience rich traditional and amazing, colorful culture. The ritual enactment, the magnificent celebration of Fest and the breath-taking landscape plays a strong influence in it culture and heritage. Have you ever thought about seeing a casting water fall, and beautiful landscape the world has ever seen. Well, think of Nigeria, think of getting your magical experience in brim. Below is a list of paradise you would like to visit whenever you take your trip to Nigeria.
Osun-Osogbo Sacred Grove
A century ago there were many sacred groves in Yorubaland: every town had one. Most of these groves have now been abandoned or have shrunk to quite small areas. Osun-Osogbo, in the heart of Osogbo, the capital of Osun State, founded some 400 years ago in southwest Nigeria, at a distance of 250 km from Lagos is the largest sacred grove to have survived and one that is still revered.
The dense forest of the Osun Sacred Grove is some of the last remnants of primary high forest in southern Nigeria. Through the forest meanders the river Osun, the spiritual abode of the river goddess Osun. Set within the forest sanctuary are forty shrines, sculptures and art works erected in honour of Osun and other Yoruba deities, many created in the past forty years, two palaces, five sacred places and nine worship points strung along the river banks with designated priests and priestesses.
The new art installed in the grove has also differentiated it from other groves: Osogbo is now unique in having a large component of 20th century sculpture created to reinforce the links between people and the Yoruba pantheon, and the way in which Yoruba towns linked their establishment and growth to the spirits of the forest.
The restoration of the grove by artists has given the grove a new importance: it has become a sacred place for the whole of Yorubaland and a symbol of identity for the wider Yoruba Diaspora.
The Grove is an active religious site where daily, weekly and monthly worship takes place. In addition, an annual processional festival to re-establish the mystic bonds between the goddess and the people of the town occurs every year over twelve days in July and August and thus sustains the living cultural traditions of the Yoruba people.
The Grove is also a natural herbal pharmacy containing over 400 species of plants, some endemic, of which more than 200 species are known for their medicinal uses.
Sukur Cultural Landscape
Sukur is located in Madagali local government area of Adamawa state of Nigeria along Nigeria/ Cameroon border, some 290 km from Yola, the Adamawa state capital of north eastern Nigeria. It is a hilltop settlement which stood at an elevation of 1045 m. The total land area covered by the site is 1942.50 ha with core zone having 764.40 ha and the buffer zone 1178.10 ha respectively. Sukur is an ancient settlement with a recorded history of iron smelting technology, flourishing trade, and strong political institution dating back to the 16th century.
The landscape is characterized by terraces on the farmlands, dry stone structures and stone paved walkways.The terraced landscape at Sukur with its hierarchical structure and combination of intensive and extensive farming is remarkable. In addition, it has certain exceptional features that are not to be found elsewhere, notably the use of paved tracks and the spiritual content of the terraces, with their ritual features such as sacred trees.
The revered position of the Hidi as the political and spiritual head of the community is underscored by the magnificent dry stone architectural work of his palace, in and around which is a concentration of shrines, some ceramic. The villages situated on low lying ground below the Hidi Palace have their own characteristic indigenous architecture. Among its features are dry stone walls, used as social markers and defensive enclosures, sunken animal (principally bull) pens, granaries, and threshing floors. Groups of mud walled thatched roofed houses are integrated by low stone walls. Of considerable social and economic importance are the wells. These are below-ground structures surmounted by conical stone structures and surrounded by an enclosure wall. Within the compound are pens where domestic animals such as cattle and sheep are fattened, either for consumption by the family or for use as prestige and status symbols used in gift and marriage exchanges.
The remains of many disused iron-smelting furnacescan still be found. These shaft-type furnaces, blown with bellows, were usually sited close to the houses of their owners. Iron production involved complex socio-economic relationships and there was a considerable ritual associated with it.